Showing posts with label Tony Elwood. Show all posts
Showing posts with label Tony Elwood. Show all posts

Thursday, November 18, 2010

It's not always the hitcher who's dangerous

Road Kill (aka "Road-Kill U.S.A.") (1994)
Starring: Sean Bridgers, Andrew Porter, Deanna Perry, Nick Searcy, Jeff Pillars, and Andy Boswell
Director: Tony Elwood
Rating: Eight of Ten Stars

Josh (Bridger), a naive kid hitchhiking his way to California, is picked up by a couple (Perry and Porter) who are murdering and robbing their way across the United States.



"Road Kill" is a strange movie. I'm not entirely sure what the overall point of it was, but my enjoyment in watching came from guessing when Josh, who must be the most sheltered of sheltered small-town boys, was going to realize there was something seriously wrong with the people he was traveling with. I also got a kick out of the way the film drifts further and further into a reality that exists separate from anywhere else, a place when the mad-dog killers and their clueless passenger can pick up a hitchhiking clown (literally... with balloons, big shoes, and full facepaint) in the middle of nowhere!

I'm hesitant to say much more about the actual content of the film, as it's one of those movies that's best experienced with an unbiased mind... my summary above may even give away a little too much about the flick. Think of it as "The Hitcher" in reverse--the innocent sap is picked up by the maniac instead of the other way around--but with more humor and far stranger. (And with a creepier death scene... one of the victims is murdered by having his nose and mouth super glued shut!)

This is the third movie I've seen by Tony Elwood, and it confirms without a doubt that he is a master of making low-budget movies with nasty edges to them. If you want to see a film that truly embodies the "grindhouse" vibe that everyone was talking about a few years back--and which is being dragged out again in the context of the "I Spit On Your Grave" remake--and you want to make sure you're not subjecting yourself to complete and utter crap, you need to get a copy of this film, the underrated horror classic "Killer" (review here), or Elwood's most recent film "Cold Storage" (review here). He has a great eye for how to set up a scene, and he knows to get the most drama and suspense out of what he has to work with. And in a picture where much of the action is fairly static--there are a lot of conversations in cars and hotel rooms--this is a valuable ability.

"Road Kill" is a quirky thriller that's definately worth a look. The low budget origins of the film are visible at times--there are some issues with sound quality and color correction here and there--but the film offers more than enough excitement and content in other areas to make up for such minor blemishes. With a clever and strange script, a cast of decent actors--Andrew Porter as the psychotic driver Clint, Jeff Pillars as a slimey hotel owner, and Nick Searcy as a clown that I think any of us might want to kill if subjected to him, are especially effective in their roles--and some gruesome death scenes, it's a ride you should take.

For more information on this and other films by Tony Elwood, visit the website for production company Synthetic Fur by clicking here.

Speaking of production companies and distribution, I found it extremely amusing to compare the current DVD cover artwork with the original VHS artwork that distributor API promoted it with. Here they are, side by side.


While I love the sort of art on the right--as anyone who worked with me when I've been in positions to commission artwork for covers and interior illustrations--one has to wonder exactly what movie the artist was painting this image for. While if you squint and turn out head at a sharp angle, you can kinda-sorta see the characters from the film, nothing else in that picture reflects what's in the movie. The big-head photo montage from the DVD release actually captures the mood of the film more accurately. (And, yeah, I used a non-representative picture as the main illo for this article, but that's because I was unable to get any screen captures I liked from the DVD.)




Thursday, June 17, 2010

'Killer' is deserving of cult classic label

Killer (1989)
Starring: Duke Ernsberger, Andy Boswell, Mark H. Creter, Jeri Keith Liles, and Terry Loughlin
Director: Tony Elwood
Rating: Seven of Ten Stars

A maniac killer (Ernsberger) descends upon a small town, butchering random people that annoy him. When he kills Ash's adopted father (Loughlin) and kidnaps Ash's girlfriend (Liles), Ash (Boswell) and his best friend Calvin (Creter) take it upon themselves to end his rampage.

"Killer" is one of those movies that shows that when it comes to movie-making, creativity, skill and talent is more important than big budgets. Made for just $9,500 over a couple of weeks in the late 1980s, it towers quality-wise over films made with one-hundred times that amount of money.

Although far from perfect--some of the acting and writing leaves a little to be desired in spots, and there are several shots where you can tell they were quickly losing daylight--these flaws can be overlooked because of the raw intensity of the overall movie. Shot on Super 8 film with mostly handheld cameras, it has the feel of a much older movie. It feels like it dates from the early 1970s, as the slasher subgenre was being defined, but it incorporates fully mature tricks and techniques, making it a unique film experience.


What is also unique is the performance given by Duke Ernsberger. He gives one of the creepiest, most intense portrayals of a maniac murderer ever captured on film. His tour-de-force performance in the last half hour of the movie--from his chilling conversation with the captured girl about how he is going to slowly slice pieces off her and eat her while she's still alive (and thus fulfill a life-long dream, to his his monologue about how the doctors in the mental hospital drilled holes in his head and allowed his soul to escape and thus made him immortal, to his crazy Russian Roulette gamel, and the extended final chase scene--is one that ranks among the greatest screen maniac performances. I've no doubt that if this film had been made by "serious filmmakers", Ernsberger would have won all sorts of awards and accolades for it. (Forget Jack Nicholson's annoying display in "The Shining". Ernsberger delivers the REAL goods! It's too bad he hasn't appeared in more movies than he has.)

The label "cult classic" gets slapped on a lot things by marketeers and overzealous critics. Mostly, it's code for "this thing sucks, but let's trick people into buying it", but in the case of "Killer" it's well-deserved. It's a movie that deserves a lot more attention that it's ever gotten, and it deserves it now more than ever with a DVD release that features a re-edited and ditially cleaned-up version of the original film with a new soundtrack. It's a film that should be seen by anyone who is a fan of the slasher films--and it's an absolute MUST if you consider yourself an aficionado of the genre.

The DVD director's cut of "Killer" is available from Amazon.com and it's worth every penny. In addition to the movie, the DVD contains an interview with director Tony Elwood and screenwriter Mark Kimray that is interesting and informative--unlike the usual self-congratulatory and/or infomercial crap that often passes for interviews on DVDs--and a second audio track on the film that has Elwood and several of the cast members discussing the shoot and commenting on the differences between the original release and the re-edited DVD version. It's great stuff and well worth the time to sit through.

All in all, this is a DVD that belongs in the library of every fan of the horror film genre.



Friday, December 4, 2009

'Cold Storage' is a film that deserves
a wider audience

Cold Storage (2007)
Starring: Nick Searcy, Joelle Carter, Matt Keeslar, Brett Gentile, Jeffrey Pillars, and Terry Loughlin
Director: Tony Elwood
Rating: Eight of Ten Stars

Clive (Searcy), a mentally disturbed mountain man, meets the girl of his dreams and commits to spending the rest of his life with her. Unfortunately, she's already dead, having suffered a fatal injury in a car accident near Clive's isolated shack. However, he isn't the sort of guy to let a little thing like decomposition get in the way of happiness. Nor will he allow anyone else to get between him and his true love, especially the living who might come looking for her, such as her strong-willed sister (Carter) and her looking-to-reconcile ex-boyfriend (Keeslar).

"Cold Storage" is a top-notch horror flick that gets just about everything right. It features a great script that refrains from giving into genre cliches so so it remains exciting and its developments unexpected remain unexpected up the very last moment. Made for just a few hundred thousand dollars, it's a film that puts movies made with budgets measured in multiple millions to shame.

This is a movie that could easily have been yet another slasher movie about cityfolk meeting hicks in the backwoods who when they aren't breeding with their sisters are killing strangers who happen along. Thankfully, director and co-screenwriter Tony Elwood created a far better film than that. In fact, he used the rural setting of the film as a means to make it even more suspenseful by playing against the typical Hollywood image of anything outside Chicago, Los Angeles, or New York City.

Most of the film's action takes place in or near a small North Carolina mountain town called Rainerspoint. While there are some decidedly freaky people living on the town's outskirts, the town itself is inhabited by normal, typical Americans and it is like any other small town you might visit anywhere in the country. The sheriff--played by Jeffrey Pillars--comes across as bigoted, lazy and a bit incompetent, but that's more out of the fact that he has very little to do with his days than outright malice, and his attitude and behavior is countered by a couple of the shopkeepers we meet during the course of the film. In general, the people of Rainerspoint aren't a bunch of toothless freaks just waiting to pounce on anyone who happens by... they welcome the tourists and it's clear that if anyone was aware of what was going on out at Clive's shack, they would have been horrified and taken action far sooner than they did. No one here is trying to cover anything up, but, like most Americans, they tend to mind their own business and assume the best about their neighbors.

By making Rainerspoint a typical small town inhabited mostly by friendly people, Elwood makes the creep factor (and ultimately the horror factor) of the happenings at Clive's shack that much more frightening and intense. The weirdness of Clive isn't diluted by surrounding him with equally weird and scary neighbors--with one exception... and that neighbor is probably worse than Clive. Elwood further deploys set and lighting design to contrast the normality and the town with Clive's private world in the forest; the scenes in the town are all in clean, brightly lit places and the sun always seems to be shining on the street, but Clive's place is full of filth, deep and dark shadows and it always seems to be overcast or raining. It's a powerful approach, and it's one that shows that productions and scripts developed with thought and care will deliver powerful experiences no matter what the budget.

"Cold Storage" is as good as it is because of the great care that has been taken in creating it. During filming, it's clear that Elwood understood what to show and what not to show in order to build suspense, and it's equally plain that a good deal of post-production work took place. For countless reasons, post-production is where the mistakes that cause many low-budget films not to reach their full potential, mostly because the filmmakers cut corners. Oftentimes, it's the color correction process or the sound design/re-recording that drags a movie down. In the case here, viewers treated to big-budget post-production quality on a small-budget film. And it shows.

The film also gains much of its strength from its script. I've already talked about the intelligent portrayal of Rainerspoint, but the quality of the script also shines through in the way the story unfolds at a perfect pace. Although we know full well that the two main characters, Cathy and Daric, won't find Cathy's sister alive, the gradual revelation of exactly how insane Clive truly is ensures that the viewers will be on the edge of their seats when the inevitable confrontation with Clive happens; it's an encounter where we know someone will end up dead, and it will probably be one or both of our heroes.

Speaking of heroes... this is another area where the film excels. It features a cast of very talented actors who take the excellent material provided to them in the script and bring it fully to life.

Nick Searcy gives a spectacular performance as the deranged Clive that makes the viewers feel sympathy for the character even as he repulses and terrifies us. It's a performance that displays both acting and scripting of a caliber that is all-too-rarely seen in films.

Joelle Carter is also noteworthy as Cathy, who portrays a stubborn, confident woman deeply concerned for her sister. It's a part where she easily could have come across as bitchy, but she never does. Similarly, her character comes across so clearly that when she does something very, very stupid toward the end of the movie, it seems perfectly natural for her to do so, instead of an example of Stupid Character Syndrome (where a character's brain stops working because the plot needs him or her to do something so the story can continue).


"Cold Storage" isn't perfect--it DOES have one example of pure Stupid Character Syndrome [although, maybe not, because the character being boneheaded and putting himself in danger because of it doesn't seem very swift to begin with] but this is small flaw is heavily outweighed by the superior quality of everything else in the film.

From the script, through the set design, the lighting, the acting, the cinematography, the special effects, and the musical score are all of a quality that puts to shame any number of horror flicks that have appeared in the theaters in recent years. The only thriller and horror movie fans who will be disappointed by this film are those who are into the "torture porn" genre or who feel that if there aren't any boobs on screen it's not worth their time. Everyone else will love it!

"Cold Storage" is, sadly, still looking for a distributor, so it may be a while before you'll have a chance to see it. I sincerely hope that someone has the good taste to snatch up this film, because it's head and shoulders above most modern horror films.





To read more about the film, visit the office website by clicking here.