The Complete Night Stalker, Part Two

With episodes Five through Eight, the "Kolchak: The Night Stalker" televisions series looked like it's finally hit its stride. After a wobbly start--with episodes that ranged from good to downright awful, the series presented a string of decent episodes. I know continue the trip through the 1974 television series, as I review every episode in anticipation of Halloween.

Kolchak: The Night Stalker
(The Complete Television Series Reviewed, Part Two)

Episode Five: The Werewolf
Director: Allen Barron
Rating: Six of Ten Stars

When Kolchak is sent on assignment to cover a swingin' singles cruise, he becomes the Reporter Who Cried Werewolf when a murderous beast starts tearing its way through crew and passengers when the full moon rises. Will Kolchak find a priest onboard the ship of sin, so he can get some silver bullets blessed before everyone becomes werewolf chow?

With this episode, the supporting cast at the INS office becomes a major part of the series, and I think the episodes benefit from it--even if Kolchak looks like a total heel with the way he's constantly manipulating and using them. These additional characters coming to the fore heightens the humor of the series, and it gives McGavin recurring actors to play off.

As for this specific story, it's a tense, funny, and fast-paced episode, although the Seventies fashions and "hip" swinger stereotypes can be quite painful to watch. (The couple whose marriage got stronger because they got divorced was pretty funny, though.) The only negative is some of the tall tales Kolchak tells the ship's crew. It's a bit out of character for him to tell such flimsy lies when he knows there's no escape once they're found out.


Episode Six: Firefall
Director: Don Weis
Rating: Seven of Ten Stars

When the friends and associates of a celebrated symphony conductor start dying in mysterious fires, Kolchak smells not only the odor of burning flesh, but also a story. However, what he hadn't counted on was that he would become the target of a restless spirit with a love of fires.

This is another excellent episode that balances drama and humor quite nicely. The threat to Kolchak is once again clear and immediate--if he falls asleep, he's likely to spontaneously combust--and he has to put real thought and legwork into saving himself and the main target of the monster in this episode.

"Firefall" would rate Eight Stars if several early scenes weren't marred by reall bad, really cheap special effects. The episode would have been far better served if the crew had gone with even cheaper effects--simply jump cuts of an actor to it seem as though he was appearing and dissapearing.


Episode Seven: The Devil's Platform
Director: Allen Baron
Rating: Six of Ten Stars

Kolchak is assigned to cover an Illinois State Sentate race where one of the candidates is receiving more than just finiancial contributions from infernal powers. When Kolchak gets too close to the truth, he is faced with a choice between becoming a servant or sacrifice of Satan.

This is one of the episodes I saw a long time ago, and it's every bit as good as I remember it. The strange dog stalking Kolchak after he accidentically takes possession of the evil politician's (played excellently by Tom Skerritt) amulet that is the focus of his demonic power is a particularly effective part of this episode. Another highpoint is the larger part played by the supporting characters in the newsroom. The ending is a bit too easy and pat, though.


Episode Eight: Bad Medicine
Director: Alex Grasshoff
Rating: Seven of Ten Stars

While investigating a series of violent gem heists, Kolchak finds himself on the trail of a shapeshifting, dreamwalking Native American sorcerer who has been cursed with immortality and a never-ending quest for precious stones. Will Kolchak find a way to kill someone who can't be killed... or will he end up in that great newsroom in the sky?

This is another episode that balances comedy and suspense nicely, although I'm sure Richard Keil's Indian sorcerer character looks goofier to modern viewers than he did to those watching in the mid-70s. (And his appearance wasn't supposed to be one of the funny bits, I am certain.)

Kolchak has to use his brains to defeat the threat in this one, and that always makes for a more interesting episode than him just blundering around and getting lucky. The ending  is also pretty strong. All in all, one of the better installments in the series.

The Complete Night Stalker, Part One

Since horror movie reviews are nothing out of the ordinary here, I'm going to build up to Halloween by reviewing every episode in the classic Kolchak: The Night Stalker series. I already covered the two movies, so nothing seemed more appropriate than this.

(And if anyone out there would like write about that short-lived remake series from a few years back, I'm always open to guest posts!)

Kolchak: The Night Stalker
(The Complete Television Series Reviewed, Part One)

Episode One: The Ripper
Director: Allen Baron
Rating: Four Four of Ten Stars

A serial killer is stalking the women of Chicago and beating the tar out of police officers by the dozens. Kolchak (Darren McGavin), along with his long-suffering editor Tony Vincienzo (Simon Oakland), have landed at INS, a small-time wire-service. As Kolchak (over Tony's objections) investigates the killings, he comes to believe that that he is the original Jack the Ripper, and that unless Kolchak stops him before he claims his fifth victim, he will vanish and resuface in a different city where the pattern will repeat itself.


If the plot of the first episode of the series sounds familiar, then that's because it is. It's basically the same as that featured in "The Night Strangler."

This is a dissapointing start, made even more dissapointing by the fact that there is never any real sense of menace in the story. Yes, a serial killer is on the loose, but Kolchak is never in any danger. On the upside, McGavin and Oakland are both as good in their parts as they were in the films.



Episode Two: The Zombie
Director: Alex Grasshoff
Rating: Eight of Ten Stars

Someone is murdering Chicago's gangsters and a chance conversation with one of his sources sets Kolchak on the trail of the culprit: A small-times numbers operator who has been called back from the grave to serve as the means to avenge his death.

I was as delighted by this episode as I was disappointed in the series' first installment. There wasn't a single element of the episode that wasn't an improvement over "The Ripper." The storyline was more original, the funny parts were funnier, and Kolchak's ability to survive the adventure intact felt as though it was in serious doubt on more than one occassion. While the threat of the mad slasher seemed distant and non-personal to Kolchak in "The Ripper", in this episode, Our Man at INS is under threat of sudden termination by illegal bookmaking operators, gangsters, corrupt cops, and, of course, the walking dead. In fact, Kolchak's confrontation with the zombie is so creepy that it tops what you see in many movies.


Episode Three: They Have Been, They Are, They Will Be...
Director: Allen Baron
Rating: Three of Ten Stars

After a string of bizarre animal deaths at a Chicago zoo are followed by some very similar murders, Kolchak becomes convinced that space aliens are threatening the city--who else could possibly be mutilating animals and then escalating to doing the same to people? Will he manage to prove the Truth Is Out There, or will the government agents dogging his heels stop him?

This episode has a rushed feel to it. The story simply doesn't hang together, and has some pretty dumb elements, even by the standards of the Seventies (an alien who is off-course with his spaceship can find his way home using a planetarium's starmap?), and Kolchak makes some pretty far leaps of logic to keep the story going--because much of what he concludes isn't based in his investigation--and the fact that he manages to locate the alien craft using a very simple method; if finding the UFO is THAT easy, why hasn't the government got it surrounded already? The greatest flaw of the episode is that it's dull. It never manages to engage the viewers. In fact, the best part of it is Kolchak's voice-over at the end where he compares the murderous alien to just another traveler stopping at a roadside diner for a bite to eat. If only the rest of the show had been that amusing.


Episode Four: The Vampire
Director: Don Weis
Rating: Six of Ten Stars

After weaseling his way to being sent on assignment to write a puff piece about a Guru visiting Los Angeles (thus getting what he views as a paid vacation), Kolchak is distracted by the news of murders that seem eerily similar to ones that he investigated while living in Las Vegas. In fact, this episode is an unofficial sequel to "The Night Stalker" movie, as the vampire menacing Los Angeles is a spawn of the creature that first drew Kolchak into confrontation with the supernatural.


Kolchak's attempts to trap the vampire in this episode are pretty amusing, as is his attempt to use a real estate agent he meets as a ghost-writer to meet his deadline with INS. The climax with the vampire is interesting (even if I found myself wondering how he managed to set up the way he trapped her), and I think this is the first time where Kolchak isn't the victim of a far-reaching cover-up, or is left with no evidence that something bizarre happened . Just like in "The Night Stalker," the police arrest him for the murder of the vampire, but they have to let him go... for a very interesting and sensible reason. But, there's no hint that anyone is going out of their way to cover things up. (Of course, no one believes in vampires, even in Hollyweird.)

All in all, this was a pretty good episode. It was nice to see some tie-backs to the movie that started it all, and it was also nice to see a police officer portrayed like an intelligent person. The homicide luitenant in "The Vampire" is intelligent and dilligent enough to keep digging into his murder cases even after a couple of Satanists are locked up for them, because the clues aren't adding up. Virtually every other police officer that's appeared in the series up to this point would have called it a day with the first suspects.

Next week, I cover episodes 5 through 8, as I continue my way through the mixed bag that is "The Night Stalker" television series.

Carl Kolchak and things that stalk the night

Here are two fine made-for-TV-movies that are nearly 40 years old and still scarier than many big-screen horror movies that are released today. Their stories and the main character are timeless, meaning they are also as fresh today as they were back in the early 1970s.

The Night Stalker (1971)
Starring: Darren McGavin, Simon Oakland and Carol Lynley
Director: John Llewellyn Moxey
Steve's Rating: Eight of Ten Stars

When a bizarre series of murders hit Las Vegas, down-and-out crimebeat report Carl Kolchak (McGavin) thinks he might have found his ticket back to the Big Time newspaper business. As he pursues leads, however, he becomes increasingly convinced that the murderer is a vampire. Met with disbelief and scoffing from his editors and a desire to cover up the murders from Las Vegas police officials, Carl goes from crusading reporter to crusading vampire hunter.


"The Night Stalker" is an excellent movie, easily equal to many big-budget theatrical releases despite its humble television origins. The dialogue is snappy, the script and characters are all believable and well-crafted, and the mix of humor and suspense is perfectly balanced throughout.

McGavin gives a fabulous performance as Kolchak, going from a wise-cracking beat reporter (coming across almost as having been transported from the 1930s to the 1970s, yet never seeming out of place) with no goal other than to rehabilite his career, to a man who is willing to risk everything to stop a monster that no one but he seems willing to take on. The supporting cast is also universally excellent, as is the camera work. The only complaint I have is the score. It is downright annoying in its innapropriateness at times.



The Night Strangler
Starring: Darren McGavin, Jo Ann Pflug, Simon Oakland and John Carradine
Director: Dan Curtis
Steve's Rating: Eight of Ten Stars

This is another excellent adventure in humor and supernatural suspense, so well-crafted that you'd never imagine that it was originally a TV movie.

Darren McGavin gives another excellent preformance as Kolchak, who, after losing everything but his life as a result of the events in "The Night Stalker", has drifted westward to Seattle. He gets himself hired on with the city's top paper after promising to not make waves... but when he starts covering another series of violent crimes, a disturbing pattern emerges: Every 21 years since the mid-1800s, there have been a series of identical strangulation murders and what few eye witnesses there were have described the same killer. Kolchak again finds himself in the awful position of uncovering a truth that no-one wants to face or deal with. Once again, he is the only one able and willing to take action and stop the deaths.


"The Night Strangler" is one of those rare sequels that is actually better than the original. The dialogue and wit is sharper, McGavin's performace of Kolchac is even better than before, and the suspense in the story gives way to downright scary on several occasions.

(Trivia: Dan Curtis and Richard Matheson had planned a third "Night Stalker" film, in which Kolchak discovers the vampire he faced in "The Night Stalker" wasn't dead. The film never happened, but in its place was the "Night Stalker" televison series, one episode of which incorporated the story idea that would have been the movie.)