Showing posts with label Joshua Jackson. Show all posts
Showing posts with label Joshua Jackson. Show all posts

Thursday, July 22, 2010

'Shutter' director didn't know when to quit

Shutter (2008)
Starring: Joshua Jackson, Rachel Taylor, and Megumi Okina
Director: Masayuki Ochiai
Rating: Four of Ten Stars

A fashion photographer (Jackson) and his wife (Taylor) are on a working honeymoon in Japan when his past literally comes back to haunt him. The ghost of a woman he dated years earlier (Okina) starts appearing in photos he takes and manifesting in increasingly threatening ways.


"Shutter" is for most of its running time a fairly decent ghost movie that is a nice cross-pollination between Western and Eastern ideas about the what, why, and how of hauntings and vengeful spirits. Unfortunately, it starts to break down as the story builds to the Great Reveal when the girlfriend is shown to have been dead for several years yet no-one has checked on her... despite the fact her front door has been standing open for all that time.

(I suppose one could argue that the ghost has been wandering around the house and neighborhood so no one knew she was dead. But does that mean she also went and got a job at another firm after she had died? What about friends and family? The way the discovery of Megumi's corpse was handled in the film was such an extreme example of bad writing that I've knocked off a whole point on the ratings scale.)

In all other aspects, the film is very well done. The filmmakers make a particularly excellent use of sound throughout the movie, using it to enhance suspense in subtle ways as well as during the film's few "Boo!"-type moments. The lighting and cinematography is likewise very well done. The script is also well-written, and I was particularly happy to see they did more with the denouement than the now-expected "let's toss in one more scare." (In fact, what you THINK is the denouement is actually the beginning of the film's true ending.)

The acting is all-around decent, although I would have liked to have seen a slightly more sympathetic and charming actor playing Ben Shaw, the photographer who is the focus of the ghost's attention. Joshua Jackson has a villainous air about hm that never quite allows the viewer to be on his side. If the actor playing Ben had been just a little more charismatic, the sense of horror and dread in this film would have been ar stronger, particularly at the end.

"Shutter" is worth seeing if you enjoy ghost movies, so long as you can accept an annoying instance of no one thinking a particular sequence through. It's high on creepiness but low on blood, so gore hounds should stay away. (Oh, and if you're sick of the whole "isn't long black hair really creepy?!?" standard in these sorts of movies, you'll be glad to hear that we DON'T have that particular trope to sit through here. We got the pale, barefooted ghost chick, but at least her hair isn't everywhere!)




Monday, January 4, 2010

'Cursed' is a fine mix of old and new horror sensibilities

Cursed (2007)
Starring: Christina Ricci, Jesse Eisenberg, Mya, Joshua Jackson, Shannon Elizabeth, Portia de Rossi, and Christina Anapau
Director: Wes Craven
Steve's Rating: Eight of Ten Stars

Christina Ricci stars as a young TV producer who finds her inner beast unleashed after she and her brother are bit by a werewolf. Put "Cursed" next to also-rans like "Boogeyman" and "The Grudge," and it's more clear than ever that Wes Craven remains the king of horror flicks featuring Beautiful People Vs. The Monsters.



"Cursed" is at once a by-the-numbers werewolf flick (complete with pure-hearted victims trying to fight the curse and a storyline that invites the viewers to guess which of the supporting characters is the monster) and a clever, engaging film that keeps the viewers guessing right up to the end. The film is full of elements so well used they've become cliches, but it embraces them in a way that's both respectful of all the films that have gone before and light-hearted. "Cursed" moves from suspenseful, to funny, to scary with ease, and folks who enjoy good horror movies will love this one.

(I spend a lot of time railing against films that don't bring anything new to their genres, but "Cursed" puts all the old elements together is such a graceful and fun fashion that I can't mount any complaints. Craven clearly knew he was making a cliched movie, and he took full advantage of that fact. If more directors and script writers would take that approach, maybe their retreads would come together more effectively.)