'A Perfect Getaway' is not a perfect

A Perfect Getaway (2009)
Starring: Steve Zahn, Milla Jovovich, Timothy Olyphant, and Kiele Sanchez
Director: David Twohy
Rating: Four of Ten Stars

A honeymooning couple (Jovovich and Zahn) on a multi-day nature hike in Hawaii discover that brutal killers targeting tourists may have taken refuge in the same area. Can their new friends (Olyphant and Sanchez) be the murderers?

"A Perfect Getaway" is a weakly written thriller that is elevated by good performances by its stars and nice cinematography. While it pulls off its Big Reveal with some skill and "plays fair" for the most part--allowing the viewers to try to solve the mystery of who the murderers are before the filmmakers do--the writer/director's assumption that the viewer will buy into the fact that someone is ex-military or used to work as a butcher makes them spooky and creepy and viable murder suspects is moronic and probably an notion that only someone born and bred in Los Angeles and Hollywood would buy into. Other red herrings presented as the film unfolds are even weaker, leading the film be rather boring.

Unless, of course, you think military people and outdoorsy types are somehow inherently spooky and scary. If you do, then you'll probably find the film to be all sorts of kinds of exciting and thrilling.

That sensation may dissapate, however, when you realize that the murderers are rather idiotic, in that they box themselves in on a dead-end trail and then call attention to their location by notifying the authorities and putting an innocent couple in a really flimsy frame that would break at the slightest scrutiny. (I'm aware that the driving force behind the killers is the psychotic goal one of them has to "live 100 lives" but they can't have been doing it for as long as the story implies if they've been as stupid as they are shown to be here).

It's too bad the good performances here are wasted on such a weak script. All the stars come across as perfectly normal and likeable people (assuming Southerners and military men don't scare you out of hand) and it's especially nice to see Jovovich in a role unlike those she usually plays. And it's surprising that the writer/director who brought us such fun B-movie romps as "Warlock" and "Pitch Black" would blow it so badly when making a more "respectable" thriller. But then that may have been the problem. He was going for "realism," but instead ended up putting Hollywood biases on display?

'Below' is an ever-changing chiller

Below (2002)
Starring: Bruce Greenwood, Holt McCallany, Olivia Williams, Matt Davis, Nick Chinlund, and Andrew Howard
Director: David Twohy
Rating: Eight of Ten Stars

While on a patrol in the Atlantic during WW2, an American submarine picks up survivors of a strange attack on a medical ship. As they attempt to reach port, the boat comes under attack from a persistent German submarine hunter while seemingly supernatural events start to hinder their efforts to survive.

With "Below", David Twohy does for the war movie what he did for sci-fi with Pitch Black. What starts in the vein of a war drama, soon shifts to an apparent espionage thriller... and eventually morphs into a full-on horror film with the crew of the submarine fighting against a monster outside (the German ship trying its best to send them to the bottom of the sea permanently) and a vengeful ghost within (both an actual supernatural ghost and the guilt harbored by some of the ship's officers surrounding the events that placed Lt. Commander Brice (Greenwood) in the position of acting captain.

With exceptional performances by the entire cast, a clever script that keeps viewers guessing about what is happening and what will come next up to, quite literally, the film's final scene, and excellent special effects, I am left wondering why this film was dumped unceremoniously directly onto the DVD market and quickly relegated to DVD multi-packs. It's a film far more deserving of the obscurity and company it's been relegated to.

If you like war movies and horror movies, "Below" is a film you need to check out.

'Pitch Black' is a neat fusion of action, sci-fi and horror

Pitch Black (2000)
Starring: Vin Diesel, Radha Mitchell, and Claudia Black
Director: David Twohy
Rating: Eight of Ten Stars

In the sci-fi/horror flick "Pitch Black," a passenger ship is heavily damaged by the tail of a rogue comet and crashlands on a desolate planet. Only a handful of passengers and one crewmember, Fry (Mitchell), survive, and they find that they must put their faith in Riddick (Diesel), a violent, murderous criminal who was being transported on the ship if they are to have any hope to survive. However, they soon discover that Riddick isn't the most dangerous creature on the planet--caverns under the surface are teeming with deadly, flesh-eating beats. The upside is that these beats are extremely sensitive to light, and the planet has three suns. The downside is that the planet is about to be plunged into a total eclipse that may last for years.


"Pitch Black" is an excellent horror flick of the kind where a small group of people must survive the night against an onslaught of mysterious monsters. It sticks pretty close to the genre conventions, but it uses them to their full effectiveness, never allowing them to become an excuse for lazy storytelling or sloppy filmmaking. It's also one of those movies that shows that excellent filmmaking and judiciously used CGI can indeed happen in the context of a small budget.

The acting is great all around, the story has enough twists and turns to keep the audience guessing, and there isn't a single example of "stupid character syndrome" (where characters do something dumb just because the plot dictates it) anywhere in the film. The deaths at the hands of the monsters come so suddenly that they never lose their impact, and the very last one is perhaps the most startling of all.

I imagine there are some who will fault this movie for having a "Hollywood Ending"--like the person I watched it with did--but I think that's ignoring the way some of the character deaths were handled, as well as the character of Riddick. (Or maybe they might forget to consider the way characters like Riddick have been handled in recent horror, suspense and action flicks. It's been a while since a movie has actually allowed a character like Riddick to truly transform as the story progresses.)