31 Nights of Halloween: Friday the 13th

Friday the 13th (2023)
Starring: Amanda Worley, Sidney Gates, and 
Director: Alex Magana
Rating: Seven of Ten Stars

It's not the greatest short film in the world, no. It's just a tribute.

In this two minute short, Alex Magana gives us a taste of the Friday the 13th slasher series, as well as a sampling of his own style... and some of the grisly humor that is often present in his films. I was having a hard time deciding how to observe a Friday the 13th during the 31 Nights of Halloween... and then this premiered on the ACM Official YouTube Channel!

It's just two minutes long, but you'll still get several great moments. Amanda Worley has the best of these, but almost everything here is perfectly timed. Check it out!

It makes sense that a filmmaker who's become something of a fixture during the 31 Nights of Halloween should be the one to provide the perfect tidbit, at just the right time! (Although I am starting to wonder how that parking garage stays open, what with the number of unsolved disappearances and brutal murders that happen there. It has to be the most dangerous place in the Maganaverse...)

And speaking of "Tribute"... after you watch the great Friday the 13th tribute, rock out to the song that the opening lines for this review are a tribute to.

31 Nights of Halloween: Evil Clown

Tonight's viewing selection will inspire giggles, dread, and nostalgia in "mature" visitors to the 31 Nights of Halloween fright festival, as it's oozing with old school slasher flick and Troma Team atmosphere. Meanwhile, the yung'ens with little or no appreciation for the classics will simply enjoy a violent killer clown romp! There's something for everyone tonight, as we enter the final, fear-filled week before All-Hallows Eve 2021!

(You'll have to click through to YouTube in order to watch it--for reasons that are beyond our comprehension. But if you're reading this, we're sure you'll enjoy whether you're watching the film here or there! Oh... and be sure to stick around for the post-credit bit.)

Evil Clown (2015)

Starring: Rebecca Hildebrant, Adam Pecoraro, Daniel Hildebrant, Allie Nordby, Phillip Vidal, and Victor Magaleno

Director:  Adam Pecoraro

Rating: Eight of Ten Stars

31 Nights of Halloween: The Lonely Slasher

It's the night before Halloween, so it's the perfect time for this little gem about a Slasher who wanted a little more from life. (It's also a nice attempt at a homage to the cheap 1980s slasher films.)

The Lonely Slasher (2017)
Starring: Corey Michael Adams, Ben Smith, Sam Bird, Will Milligan, and Nicola Brown
Director: Jack Bentley
Rating: Six of Ten Stars

31 Nights of Halloween: No Caller ID

A woman home alone, a call from an unknown number, a blade-wielding, masked intruder.... These are all things we've seen before during the 31 Nights of Halloween, but they are done extremely well in tonight's selection, and the pay-off is super-scary! 

We hope you enjoy this mini fright-film from one of the Lands Down Under!

No Caller ID (2015)

Starring: Jocelyn Christian and Harley Neville

Director: Guy Pigden

Rating: Eight of Ten Stars

31 Nights of Halloween: The Pretty Thing

If you're going to stay overnight in the summer cabin during the 31 Nights of Halloween, you better make sure all the doors and windows have locks that work... as two young ladies learn the hard way in tonight's offering

The Pretty Thing (2018)

Starring: Charlotte Butcher

Director: Dylan Clark

Rating: Six of Ten Stars

31 Nights of Halloween: Withorwithout

Withorwithout (2018)

Starring: Milla Jovovich, Carsten Nordgaard, and Parcels

Director: Benjamin Howdeshell

Rating: Ten of Ten Stars

This, ladies and gentlemen, THIS is how you make a music video AND a horror short film. Every piece of tonight's selection work together, with the film supporting the song and the song supporting the film--both as a soundtrack and as a foreshadowing of what's to come. (I can't say too much more without spoiling the twists to the story, but I assure you that you'll love it! And it's even better for the fact that we get to watch Milla Jovovich give a great performance!)

Terror on the Thirteenth: Be Mine

It's the 13th of the month AND the day before Valentine's Day. So we bring you a very special short film!

'Skinned Alive' will disappoint almost everyone

Skinned Alive (1990)
Starring: Scott Spiegel, Susan Rothacker, Mary Jackson, Floyd Ewing Jr., Lester Clark, and Barbara Katrz-Norrod
Director: John Killough
Rating: Two of Ten Stars

When a family of crazy cannibalistic taxidermists (Jackson, Rothacker, and Spiegel) are stranded over night in a small town, they see no reason to stop their ongoing killing spree.

"Skinned Alive" is a clumsily constructed horror comedy that features a talented cast doing their best with a weak script and a special effects crew that either didn't have enough money or enough skill to stretch the money for decent gore effects. There are only two instances in the film that will have you squirming in your seat due to the splatter/ick factor... and that's entirely too few for what this movie seems to want to be.

And the fact I say "seems to want to be" illustrates the biggest problem with "Skinned Alive", Watching it, I got the sense it wanted to be a cross between "Texas Chainsaw Massacre" and "Spider Baby", but it lacks cohesion, so I'm really sure if that's what writer/director Killough was going for, or if that just my mind trying to bring order to the chaos.

If you're looking for a gory splatter-fest, "Skinned Alive" does not deliver. It doesn't even deliver on the promise of the title, as the only person who comes close to being "Skinned Alive" is a character who inexplicably kept coming back from the dead, in a manner that I couldn't determine whether it was supposed to be a joke or just a symptom of bad continuity. IF you looking for an intense and horrific viewing experience, "Skinned Alive" won't satisfy you either, because it unfolds in an entirely too random fashion, with too many characters being present for no good reason and the pace being too choppy and uneven for any tension to build in the film. The only possible audience for this film who will be satisfied are those looking for a Bad Movie Night experience; that this movie is perfect for.

With the horror falling flat, many of jokes being so lame they can't even be described as un-funny, the overall package of this film is pretty bad, despite the fact that most of the featured actors do a good job in the sense that they are hamming it up big time. Those over-the-top performances make the film more fun to watch than it otherwise might have been... and why it would be a nice addition to a Bad Movie Night. (Producer J.R. Bookwalter would have done everyone a favor if he had made this film part of the "Bad Movie Police" line-up from a few years ago. He might even have found that endeavor to be more successful than it was if he had.)

31 Nights of Halloween: Nightfall

During the 31 Nights of Halloween, you need to always keep your guard up after dark, especially if you're working along; you never know what might be lurking in the shadows...

Nightfall (2019)
Starring: Kyle Denmark
Director: Jordan Wright
Rating: Eight of Ten Stars


Jim (Denmark) discovers the dangers of working after dark.

Generally, when a short film builds as slowly as this one does, I stop watching a minute or two in... but there's such a sense of something bad lurking just off camera that permeates this picture that I stuck with it. I'm glad I did; I think you will be, too!

31 Nights of Halloween: Drudge

It's Friday the 13th, so this 31 Nights of Halloween offering is a concentrated version of the standards set by Jason Vohrees and Michael Myers.

Drudge (2013)
Starring: Jessica Mann, Cameron Simmons, and Cheetah Plattt
Director: Kheireddine El-Helou
Rating: Eight of Ten Stars

31 Nights of Halloween: Dimensions of Horror

I absolutely cannot stand the style of metal (death metal, typically) where the lead vocalist, at best, sounds like Cookie Monster from "Sesame Street" and, at worst, is impossible for me to make out a single lyric. The band known as Gruesome performs in this style--where the lyrics are growled more than they are sung--and they're the performers on this Musical Monday of the 31 Nights of Halloween.

Is the song in today's video in English? Damned if I know. But the mini-horror movie that makes up the video is far better than many of the ones you'll be wasting 80 or more minutes of your life on this month.

Gruesome: Dimensions of Horror (2016)
Starring Gruesome and Uncredited Actresses
Director: Unknown
Rating: Nine of Ten Stars

'Killer Weekend' is made watchable by strong acting performances

Killer Weekend (2007)
Starring: Eric Roberts, Frida Farrell, Jake Terrell, Cherie Johnson, and Jenna Colby
Director: Rob Walker
Rating: Three of Four Stars

An abusive husband (Roberts) goes full-scale psychopathic killer when his sister-in-law (Farrell) and friends come to spend the weekend with his wife (Colby).

"Killer Weekend" is one of those films that is technically incompetent on almost every level--the dialogue is clunky, the script is badly done with virtually no story element properly developed, and the cinematography is incompetent with many scenes being badly framed and a number of traditional niceties being almost completely absent (I think I only noticed one proper two-shot in the entire film)--but which is made watchable by strong performances by actors who deserved better material than what they were working with.

The main reason to watch this movie is Eric Roberts. He is once again playing an eccentric lunatic, but the combination of smarm and homicidal mania makes the character lots of fun to watch. The character is, like every other character in the film, paper-thin, but Roberts plays him with such psychopathic glee that it hardly matters. It would have been nice if he had been a little less of a cypher as far as where he had come from, how he got to be so rich, and why he went from being an abusive control freak to a psycho-killer, but Roberts is so good here that I can forgive the bad story-telling.

Two other stand-out performances are given by Frida Farrell (strangely credited as Frida Snow) and Cherie Johnson. While Farrell's character ultimately ends up as a stereotypical last-minute bad-ass who survives via bad writing, and Johnson's character ultimately ends up as just another murder victim (although dispatched in one of the more sadistic ways in the film), the performances given by both of them make their characters rise above the bland writing. If a little more effort had been put into the script, these would have been great characters--Johnson's character in particular since there were hints about her being psychic. Those hints didn't go anywhere, though, and ultimately just end up as a random, pointless element in the story--like the Mexican gardener who stumbles around for two days fatally wounded, or the two house guests who arrive in a separate car. If these two fine actresses had been given better material, they could have been great here. (And speaking of better material--if you're going to put a shower scene in your film, especially if its got a hottie like Farrell in the shower, pay her enough money to make the shower scene matter!)

I am rating "Killer Weekend" a generous Three Stars, almost entirely on the strengths of the performances given by Roberts, Farrell, and Johnson. Almost everything else here is either forgettable or bad--although I will say that the death of Johnson's character is one of the creepiest ones I've seen in my 30 or so years of watching horror flicks. In fact, all the business surrounding the samurai sword is extremely disturbing and far better realized than any other part of the film. Still, the bad here so outweighs the good that the only reason to check out this film is if you're a fan of Roberts or looking for something to round out a slasher movie-centric bad movie night.

This nerd's revenge is no laughing matter

Slaughter High (1986)
Starring: Caroline Munro, Carmine Innaconne, Simon Scuddamore, Gary Martin, Billy Hartman, Michael Safran, Donna Yaeger, Kelly Baker, Josephine Scandi, and Sally Cross
Directors: George Dugdale, Mark Ezra, and Peter Mackenzie Litten
Rating: Seven of Ten Stars

Ten years to the date after an April Fool's prank gone bad leaves a kid scarred and maimed for life, the clique of bullies who were at fault (led by Innaconne and Munroe) are invited to a class reunion at their now-closed high school. By the time they discover they are the only ones invited, they are locked in the building and being stalked by a homicidal maniac in a jester's mask.

"Slaughter High" belongs to a family of films that are as old as horror and thriller film genres themselves--a collection of more or less unlikeable characters are gathered together and made the subject of revenge by someone they wronged in the past. It's actually a plot that pre-dates film, but it's one that continues to be the driving force in so many films because it is an easy skeleton upon which to build a story that everyone can relate to.

This particular version of the very old story was, in 1986, a mix of hoary tradition and newer trends. It's got the mysterious masked figure, who's been around since silent films, with an uncanny ability to kill and vanish without a trace until he returns to kill again; and it's got the gory and sometimes bizarrely creative and unlikely murder methods that are the hallmark of the then relatively new Slasher Film subgenre. And just like the old time thrillers, the cast of victims are a bunch of louts who deserve some form of justice to be meted out against them. This mix of old and new resulted in a film that remains fun to watch even now... and which feels fresher and more original than the majority of modern slasher films and revenge thrillers you may be unfortunate enough to catch of cable television or, God help you, during an overpriced visit to your local movie theater. Even the gratuitous nudity that you expect in a film of this type and vintage turns out to not be quite so gratuitous, as it leads to one of more shocking double homicides you're ever likely to witness. (And it's also one of those moments where you may feel a little bit of guilt over laughing at what you're seeing unfold.)

One particularly strong point about the film is that it has a "surprising shock twist ending" that actually is just that. Not only that, but the mail story resolves itself in an unexpected fashion, which would have been a satisfying end all to itself, but the fact the filmmakers then give us an honest-to-God good twist ending denoument makes the film all the stronger and causes me to forgive what minor missteps I noticed along the way.

The fact the film has a strong cast lifts the film even further than the well-written story and fun kill scenes already did. The performances are even more noteworthy when one considers that this is a British film with British actors pretending to be Americans and yet there is only one dodgy accent in the bunch.

All in all, "Slaughter High" is an underrated classic of the Slasher Film genre. It's well worth checking out.



Trivia: This film's original title was "April Fools", which explains why the title song reference April Fool's Day, why the victim of the prank gone wrong is born on April Fool's Day, and why the action takes place on April Fool's Days ten years apart. The title was changed prior to release so as to avoid confusion with the Paramount Pictures release "April Fool's Day" which came out the same year.

A horrible horror movie

Slaughtered (2008)
Starring: Chris Smith, Arlisha Fogle, Aschleigh Jensen, Rebecca McQuen, and Cheri Lynn
Director: Anthony Doublin
Rating: Zero of Ten Stars

Harold (Smith) is a psychopath who murders nude models and posts gory images of his crimes on a pay/members-only website. As he goes about his business of booking small-time models and murdering them, the world's worst detective (Fogle) is hired to locate one of Harold's victims. But something else is closing in on Harold--the restless spirits of his victims. Is he truly being haunted, or are the ghosts just a figment of his deterioriating sanity?

"Slaughtered" is a movie so bad that the only good things I can say about it is that it's well-lit and the camera is in focus at all times. And I'd be appalled if those weren't quality, given that the writer/director of this should-have-been cinematic abortion is a well-established lighting technician and cameraman with several regular gigs on television series to his credit.

But as a director and a screen-writer, he is completely incompetent.

We have a central character--I can't bring myself to call him a protagonist--who is both loathsome and uninteresting, whose only defining characteristics is that he wears too much eye-liner and likes to kill women. Oh... and he's also a peeping tom who likes watching his models undress via a webcam before he... makes them undress and kills them. We never learn anything about Harold... who he is, why he is doing what he's doing, or any other stuff that might make him a little interesting. He never becomes more than a crazy goth in too much eye-liner.

We have a character who should be the hero, but who is so irrelevant to the plot that by the time she arrives at Harold's house, the movie's over... his last victim has freed herself and ghosts have exacted gory revenge on him. (Yeah, I just spoiled the movie. If you had watched it, you would have wished I had and saved you the misery.) She's also, as I mentioned in the teaser summary at the top of the review, the world's dumbest detective; while working on her missing person's case, she calls up the local police station and offers sexual favors in exchange for open missing persons cases. I've no doubt she's real popular around the squad room, since those sorts of things are not under lock and key... the police are trying to find those people. A Google search might have given her the same information as those files. And then there's the fact she spends much of the movie in her office (which looks like it might be a nook in her kitchen) trying to "hack" Harold's members-only snuff-port site. Why didn't get herself a pre-paid Mastercard, billed to her client, and just sign up for the site under a fictitious name?!

Of course, the police in the area of California where the film takes place--Santa Barbara? I think it was mentioned at some point, but my brain was starting to turn off by that point, so I'm not sure--aren't much smarter. Nude models are going missing... nude models who are contacted via their promotional web sites, via email... nude models who have computers and email accounts where correspondence is stored. It seems to me that it wouldn't take more than a couple of vanished women with emails from Harold in their inbox to make the police interested in him and his little web-venture. That and the fact that he disposes of their bodies, fully intact, in dumpsters. Neither Harold, nor the cops, have apparently watched even one episode of "CSI". Or "Quincy, M.E.". Or even "Columbo." Hell, the world's dumbest detective looked at the email account of one victim and zeroed in on Harold.

Some of the laziest writing I have ever seen in a film that was supposedly made by a professional is on display here. The cipherous nature of Harold. the idiocy and plot irrelevancy of the character who should be the hero, and the absence of any apparent thought devoted to how Harold can be getting away with his serial killing are only the worst sins among a multitude.

Moving onto the direction... words fail me. Either Doublin managed to make scenes of girls getting undressed boring, or I need to have my testosterone levels checked. We're treated to three scenes of girls getting undressed and then getting dressed (before undressing again and being murdered), and the next one is duller than the one that went before. Even the kill scenes are boring, with only the first one having even the slightest impact, possibly because it was a bit unexpected. Usually with films like this, I'm disgusted or irritated--I do not like movies whose central and only theme is the brutalization of women and other innocent victims--but with "Slaughtered", each murder brought a greater degree of indifference.

Perhaps it has something to do with the acting, which was almost as universally flat as the direction. The fact that Doublin is a seasoned professional probably helped him keep the "playing to the back row at the community theatre"-style performances that usually plague movies of this kind. The actors here all seemed comfortable in front of a camera and aware of how to play to it... but one can also easily understand why very few of the cast have credits beyond this picture, or other films directed by Doublin.

"Slaughtered" is lurking inside several multi-packs from Maxim Media's Pendulum Pictures imprint. Wherever you find it, save it for last... or, better yet, don't bother with it at all. The only reason to watch it is to gain a greater appreciation for Mario Bava's excellent "Hatchet for the Honeymoon" and Robert Hammer's "Don't Answer the Phone". Those films have many elements in common with Slaughtered... only they were made by directors who understand how to put a movie together.

31 Nights of Halloween: Deja Vu & Milla the Destroyer

The short-film countdown to Halloween continues. Today's offering is bit rough in the sound editing department and the stock music used is a bit overblown, but it still has some effective moments and is brimming with Halloween Spirit! (Bianca Perez may also have a future as a professional screamer!)

Deja Vu (2011) 
Starring: Bianca Perez and Aneudy Garcia
Director: Raifis Rodriguez
Rating: Five of Ten Stars

Special Bonus Feature: Milla the Destroyer, Incarnation One

Supposedly, the ever-so-wise Ancient Mayans foresaw the end of the world sometime late in 2012. And, hey, they must have been right--because not only did the calendar they carved in stone end this year, but the "Cute Cats" calendar hanging in my kitchen ends on December 31st as well! Coincidence? I think not!

So, in observation of this once-in-history event, we're offering images of Milla Jovovich posing as the different ways the Earth might be come to an end. Just like no one knows exactly what day doom will come to us all, you will never know when another image of Milla the Destroyer will appear as the 31 Days of Halloween unwind.

Wrong Turn Wednesday:'Wrong Turn 2: Dead End'

It's the second Wednesday of 31 Nights of Halloween, so that means it's time for a look at another installment of the Wrong Turn Series.


Wrong Turn 2: Dead End (2007)
Starring: Erica Leehrsen, Texas Battle, Henry Rollins, Aleksa Palladino, Daniella Alonso, Steve Braun, and Matthew Currie Holmes
Director: Joe Lynch
Rating: Six of Ten Stars

 The contestants and crew of a reality show are stalked by in the deep forest of West Virginia by inbred cannibal mutants who want to add them to the menu.

 "Wrong Turn 2: Dead End" is one of those surprising sequels that improves on the original. While the first "Wrong Turn" movie was a lazy collection of slasher movie tropes, the writers here actually seem to have made an effort to come up with something a little different.

While most of the characters are the usual assortment of cliches you expect to find populating a movie like this--the obnoxious hipster, the sullen goth chick, the slimy filmmaker, the nail-spitting lesbian--there is usually enough of a twist on the character to make it appealing... and if the character itself doesn't have an interesting dimension, the casting and direction is solid enough that you still regret to see the character fall victim to the marauding cannibals.

The most fun character in the film is Dale Murphy, a retired special forces colonel portrayed by Henry Rollins. A typical approach in a film like this is to have the Hollywood-type who appears to be a bad ass turn out to be all bark and no bite when the real danger manifests itself--"Wrong Turn 2" took a different approach and made Murphy every bit the bad-ass he appears as on the reality show, and then some, as well as being a heroic figure to boot. It was nice to see a character take the fight to the psychos immediately instead of waiting until cornered.

The filmmakers even managed to make the reality show conceit work, something which only the minority of the five or six other films that have tried that have managed to do. The set-up and the approach to filming it felt real to me, and the way the show's producer became a contestant and ultimately a victim was also very well handled. All in all, the filmmakers did a nice job of making me buy into the possibility that a reality show could be made like this, and they did an even better job of threading the hi-tech multi-media aspect of that set-up through the entire film.

Now, the film is not perfect. By using the same setting as the first film, they leave a big question out there: How the hell can these cannibals still be running around given the fact they were so thoroughly exposed in the first film? I find it heard to swallow that state troopers didn't flood those woods and raid every cabin spotted from the air or the ground. The easily accessible location where the film's climax took place seems particularly fantastic given the ending of the original "Wrong Turn". There are also several examples of characters being stupid just because if they weren't, the film would be a lot shorter.

But I can forgive those flaws because of Henry Rollins running around kicking cannibal butt. Having his character in the mix really makes this movie for me.

While I can't recommend you waste your time on the first film in this series, I think the fun factor in this one makes it worth checking out. I'm not saying it's a masterpiece, and you're going to need a high level for gore for the sake of gore--but if you didn't, why would you want to watch a movie featuring cannibal mutant hicks in the first place?--but there are worse movies you could waste your time on.

31 Nights of Halloween: The Banshee

Legend holds that the cry of the banshee heralds death. Four vacationing friends will learn that there is truth behind the legend...

Banshee (2010)

Starring: Michael Elkin, Catherine Laine, Andy Kempton, and Michele de Broel
Director: Michael Elkin
Rating: Six of Ten Stars

If you end up watching 'Wrong Turn', you may have chosen badly.

Welcome to the first Wrong Turn Wednesday... even if I'm already starting to regret the decision to watch and reveiw these flicks as part of the build-up to Halloween..

Wrong Way (2002)
Starring: Desmond Herrington, Eliza Dushku, Emmanuelle Chriqui, and Jeremy Sisto
Director: Rob Schmidt
Rating: Five of Ten Stars

A group of twenty-something beautiful people are stalked and brutally murdered by mutant cannibal hicks in the deep woods of West Virginia.

If you've seen even one killer redneck movie, you've already seen everything "Wrong Way" has to offer. They may do it better here--depending on what film you watched--but it brings nothing new to this slasher film sub-genre. The characters you expect to survive do so, and the characters you expect to get killed fall in predictable order. The film feels like the writers and director were working form a list of check boxes of genre tropes and once they got them all included, they felt their work was done.

There is nothing all that good about this film, but there is also nothing outright awful. The scene in and around the old observation tower is the high point of the movie (hurh-hurh... I made a pun), but it is nowhere enough to elevate this cookie-cutter, lazy genre film above its mediocre status.

What's more, the good will that scene earns this picture evaporates during the its climax where the filmmakers show us that not only are they not terribly original, they don't know when enough is enough and subsequently manage to transform the final fight stand of the Beautiful People against the Hideous Hicks from thrilling to ludicrous.

(By the way, filmmakers... if you want to make a movie about mutant cannibal hicks who have murdered so many people that they have a whole glade full of cars, you might want to NOT have them start killing cops and forest rangers. I can kinda-sorta accept that everyday people might be written off... but when it's law enforcement that starts going down, my ability to suspend disbelief goes down, too.

Unless you simply can't get enough of malformed cannibals haunting the back-country of West Virginia, or are a founding member of the Eliza Dushku or Jeremy Sisto fan clubs, "Wrong Turn" is a film you can safely skip.

Day of the Turkey Review: When Heaven Comes Down

When Heaven Comes Down (2003)
Starring: Emily Albright, Dominica Wasilewska, Joe Gordon, Cory Schiffern, Anthony Sabatino, and Aaron Reisner
Director: Garry M. Lumpp
Stars: Three of Ten Stars

Several years ago, Samantha (Albright) was saved at the last minute from a religiously driven serial killer (Gordon) by a renegade FBI agent (Reisner), and the serial killer is locked up. She put her life back together, and she is now tending bar at the local watering hole and running a support group for battered women. But then the women in the support group start dying... brutally murdered in a way that makes it seem that the serial killer is back and stalking Samantha and those around her yet again.

"When Heaven Comes Down" is a clumsily made slasher flick that includes a few elements that could have helped it rise above the pack of low-budget, shot-on-video, direct-to-DVD films that anyone with a camera, friends, and a few dollars to burn seemed to be making 5-10 years ago. Given that low-budget horror film stalwart Robert D'Zar helped produce the film (and is in a single, unimportant scene), it's not surprising that it should have SOMETHING to distingush it. But that little bit of something is not nearly enough to make the movie worth watching.

The fact that a support group for battered is the focus of the murderer's activities was an inspired idea. You have the horror of women who are now being victimized all over again, and you have a ready pool of possible maniac suspects constantly lurking nearby in the form of the abusive ex-husbands and boyfriends and fathers. It's a great idea, but it requires some development of the characters in the support group... and I've seen slasher films where Drunk Girl #3 got more character development than any of the victims here. The idea also requires some skill on the part of the actors portraying these ladies... but skill and talent for acting is in short supply in almost every cast-member in the flick. Emily Albright was properly cast as the lead as she can at least deliver her lines with some degree of intensity, but everyone else is either lame or too far over-the-top in their performances.

Perhaps the most damning thing about the cast in this film is that Robert D'Zar is more memorable than all of them put together in a tiny, pointless bit-part.

I suppose if you're a fairly green viewer of horror films, you might get some enjoyment at trying to guess who the killer is while watching. It can't be original maniac as he's locked up tight in a facility for the criminally insane. Is it the now-retired, embittered FBI agent? Is it one of the abusive boyfriends? Is it Samantha's unbelievably understanding and supportive boyfriend? Or is it Samantha herself, completely cracked and on a rampage with a split personality? The guessing game can only carry you so far, because even if this is the first slasher film you've seen, about halfway through the movie, you will realize that there's a simple way to stop this killer: If Samantha actually got interviewed by the police, as she would be in real life, the killer's identity would be immediately known to them. (In fact, if Garry Lumpp had spent a little more time developing the script he wrote, he would have realized this plot problem and been able to fix it. As it is, it's a back hole of suckiness that pulls his already weak movie dangerously close to belonging on this blog instead of here.

Another film with better actors than it deserved

Double Exposure (1983)
Starring: Michael Callan, James Stacy, Joanna Pettet, and Seymour Cassel
Director: William Byron Hillman
Rating: Four of Ten Stars

A photographer (Callan) on the verge of a mental breakdown starts having vivid nightmares in which he murders his beautiful models. When a mysterious serial killer starts making his dreams reality--by murdering his models in exactly the manner he dreamed--both he and the police become convinced that he is the killer.

"Double Exposure" is a fairly run-of-the-mill low-budget murder mystery/sexual thriller that features substandard dialogue but better-than-expected acting from the cast members. Time and again, Callan, Stacy, Pettet, Cassel, and the extensive supporting cast of suspects and victims prove the truism that a good actor can make even the worse lines sing.

Callan in particular is good. He presents a believable performance as a man who is coming apart at the seams, and manages to make a character who might come across as slimy likable--given that he's a guy in his forties rutting with women half his age--which makes the maybe-dream-sequences all the more effective and shocking when he turns from nice guy to killer. The violence during the kill sequences is also startling because it mostly comes with very little build-up.

There are two major flaws with this film that the actors can't overcome, however.

The first are the painfully boring stretches of padding, with the worst of these being a pointless sequence of the characters dancing the night away at a disco. If not for the shuttle feature on my DVD player, I may have given up on this movie at that point. Yes, there was a tiny bit of plot that unfolded during the long--oh so long!--disco scene, and it helped set up the twist ending a little, but it was nowhere near enough to justify the torture of sitting through that scene. Even with liberal application of the shuttle feature, it was too long.

The second is the way the story is executed. As mentioned above, the film has a twist ending in-so-far-as who the real murderer is. However, the lines between the main character's reality and dreams become so blurred that even the viewer can't keep track of what's what. At roughly the halfway point of the film, I decided that I was watching a really bad attempt at making a film like "Hatchet for the Honeymoon" where the hook of the story isn't who-dunnit but rather how the psycho killer will ultimately meet his end. The level of padding, though, was so severe that I almost didn't stick with the film to the end. The only thing that kept me watching was several inconsistencies in the timeline of the killings versus where the photographer seemed to be at the time... they seemed a little too deliberate to just be sloppy writing, so stuck with the film to see if I had been right in my assumption.

It turns out that I was not, but that this film follows the more standard path of having one of the characters framing/exploiting the main character's unstable mental state for his own twisted purposes, in addition to serial killing that is. While there are clues to whom the actual killer is sprinkled throughout the movie, the revelation of the identity, the how, and the why really don't make a whole lot of sense, nor do they seem terribly plausible if one applies a little bit of thought.

Then again, this movie really isn't worth your brain-power, and watching it may just make you feel sad for the actors who are giving this poorly conceived crap their best efforts.