Showing posts with label Lena Olin. Show all posts
Showing posts with label Lena Olin. Show all posts

Monday, July 12, 2010

Did the ending get lost in 'The Ninth Gate'?

In a naked attempt to establish myself as a Serious Film Reviewer, I am posting a review of a Roman Polanski movie. I want to be part of the impromptu web-wide celebration that that the convicted child rapist will continue walk around free. (Click here if you haven't heard the news yet.

Yes, Virginia (and Woody and Whoopie) you CAN be a convicted rapist and still be treated like a celebrity AND as if YOU were the victim.

You can even get your movies reviewed at Terror Titans, because I'm a Serious Film Reviewer Who Respects Great Artists (even if they are child-raping cowards who can't man up when it is time to face justice).

The Ninth Gate (1999)
Starring: Johnny Depp, Emmanuel Seigner, Lena Olin, and Frank Langella
Director: Roman Polanski
Rating: Five of Ten Stars

Dean Corso (Depp), a rare book dealer with a shady reputation, is hired by the mysterious Boris Balkan (Langella) to authenticate a copy of a rate book supposedly co-authored by Satan himself. As Corso goes about about his assignment, he is drawn into a web of conspiracy and murder as he gradually uncovers a secret that's been hidden for centuries. Will Corso uncover the occult secret of the Ninth Gate, or will he die trying?


"The Ninth Gate" is a stylish supernatural mystery tale. It's a well-acted film populated by eccentric characters and possessed with a stylish look and a perfectly paced story. It's a film that has almost all the elements of a great thriller, but the pieces that are lacking ultimately doom it.

First of all, the film is predictable. There are virtually no surprises as the film unfolds. The one point where the film MIGHT have take an unexpected turn--with the mysterious girl (Seigner) who may be Corso's only ally or the greatest threat he faces--ultimately ends up in the trite and tired territory. And that's a shame, because the physical presentation of The Girl is unusual and nearly unique in cinema, and, frankly as I would expect a supernatural being walking unnoticed upon the Earth to appear. (It's not a spoiler to reveal here that The Girl is a supernatural being; the film itself makes that clear fairly early on. It's a shame the filmmakers don't ultimately do something more interesting with her than they do.)

Second, and most damning, is the completely botched ending. After two hours of build-up, we get nothing. And I mean that literally. The mystery of the ninth gate is solved, the bad guys get theirs in some very satisfying ways, but the story of Dean Corso and his dark journey of discovery just sort of peters out. The film ends with no resolution of its main story--and not in a cheesy "hey kids, look for the sequel!" way. There is no question that this is a take that's over... the audience just doesn't get to know the ending. More so than any other film that I enjoyed every minute of (except the last minute), "The Ninth Gate" had me saying, "That's it?!" as the credits rolled.

If there ever was a movie that's spoiled by its ending, it's "The Ninth Gate." Unfortunately, the film is such a finely crafted effort that I can't even advise turning off the movie at a certain point to salvage it. Basically, this is a movie that ultimately adds up to nothing. That was probably the director and screen writer's intention, but that doesn't make it any better.


Thursday, March 25, 2010

'Darkness' is condusive for sleep

Darkness (2003)
Starring: Anna Paquin, Lena Olin, and Iain Glenn
Director: Jaume Blaguero
Rating: Three of Ten Stars

Regina (Paquin), a troubled teen, moves with her family to a house with a dark and mysterious past in the countryside. Soon, strange events start to occur--whenever darkness settles over the house, it's as though a transformation takes place and other residents start to appear. Her parents (Olin and Glenn) remain oblivious to the growing danger and terror, so Regina comes to the realization that it is up to her to unlock the secrets hidden in the house's past if the evil growing within it is to be stopped before it consumes her family.


"Darkness" is a movie that tries to be a haunted house story and fails miserably. The primary reason for this is the same that doomed the Worst Big Screen Release Horror Movie of 2005 "Boogeyman" (my review, at Movies You Should Die Before You See); build-up without pay-off does not make a horror movie, it makes audiences bored. The same true of spooky images of shadowy figures standing just out of view of the principle characters--if nothing comes of them, they stop being disturbing. Some of these would-be horror movie makers would benefit from watching a horror movie or two, I think.

That said, I think "Darkness" will appeal to teenagers, but few others. They'll be able to identify with Regina, as she is the only member of her family with a brain in her head. (The father is coming unglued, her little brother is behaving strangely... yet her thick-skulled mother doesn't notice and refuses to listen when it's pointed out to her.) Yep... the Anna Paquin character will be seen as Everyteen by the 14-19 year-old set. The rest of us will be bored, as "Darkness" contains no scares, a plot that is so muddled it's hard to tell whether the actors are doing a good job or not, because one isn't really sure what they're supposed to be reacting to.

It isn't until the final 15 minutes or so that those of us who aren't teenagers will find something to entertain us in "Darkness," as the secrets of the house come to light and the plot finally stars going somewhere. FINALLY, we get something other than ghosts standing around in rooms and staring at unawares Paquin, Glenn, and Olin, and we get some genuine scares; this final sequence earns the pic a whole Star by itself. The ending of the film is also pretty chilling (even if I'm a bit unclear as to exactly what it means). Still, it's too little and way too late to save "Darkness" from being just another badly done movie.

(Note: I watched the DVD release of the "Unrated Version." I'm not sure what in it makes it "unrated"--other than, I suppose, they didn't send that particular cut to the Ratings Board--so maybe the theatrical release wasn't as tedious.)