Showing posts with label Melanie Denholme. Show all posts
Showing posts with label Melanie Denholme. Show all posts

Friday, March 30, 2012

If you imagine a horror movie by a frustrated director of music videos....

... you'll probably come up with something like this one.

Lady of the Dark: Genesis of the Serpent Vampire (2011)
Starring: Melanie Denholme
Director: Philip Gardiner
Rating: Three of Ten Stars

An even-tempered and normal young woman (Denholme) is possessed by an ancient, vengeful spirit and transformed into a sadistic, blood-thirsty monster.


If I spend waaaay too much time thinking about what this movie "means," I could probably come up all sorts of blather about how it's an allegory for the theological idea of corruption of innocense (there's actually little doubt that's what the writer/director WANTED it to be... altough the introductory dialogue seems to run counter to that), how it chillingly tracks a young woman's decent into psychotic madness (which is does... although it does so as effectively as a treasure map sketched by a drunken pirate, because we so very little of what she was like before she became unglued and violent), or any number of things.

But I'm not going to spend any more time than I already have, because I think the filmmakers weren't entirely certain of their ideas and what interperatations they wanted viewers to make as the film unfolded. If they WERE certain, their points became muddled in the disjointed and chaotic way the story is told.

Because the way the story is told is the biggest problem with the film. In fact, it feels far more like a demo-reel than an actual movie, showcasing director Philip Gardiner's ability to film in different styles or create dramatic effects with camera tricks rather than big budget CGI... or showcasing actress Melanie Denholme's ability to portray a range of emotions. All in all, "Lady of the Dark" feels more like a collection of music videos that a movie, as most it consists of scenes of Melanie Denholme walking around while goth rock or some variety of metal plays.

Denholme, in fact, portrays the only character in the film that gets any significant screen time at all, and this leads to the film's second big problem. We are led to believe, both through her own narration and by the mundane activities that she spends the first half of the movie doing, that Denholme's character Eve is just your average, happily married young woman. However, we never see the husband, nor do we we see her interacting with anyone at all... either second-hand through her narration or through scenes. We basically learn nothing about who she is or how she interacts with others until she turns into a sadistic murderer in the film's second half. While what Eve turns into is horrific and the scenes of her madness and sadism are chilling and horrific, they would have been even more impactful if Eve had been given more depth as a character.

But the way the film is put together doesn't allow for depth. Demo-reels are not intended to convey depth of character or stories, just to provide a sampling of what the creator is capable of.

I think that Philip Gardiner might be capable of making a good movie if he would actually apply himself to making one... but judging from this film and "Men in Black: The Dark Watchers" , I don't know that he's tried to make a full-blown movie. He is one hell of a director of music videos that much is clear... and it's made even more so by the fact that the actual music video included as a bonus feature on the DVD I screened is more interesting than the main attraction.

The rating I'm giving this film is a low, but still generous, 3 Stars. That said, if you're into music videos, or the world's biggest Melanie Denholme fan, you'll probably like the film more than I did.






(In the interest of full disclosure, this review was based on an advanced screening copy that was provided to me by distributor Chemical Burn.)

Saturday, March 3, 2012

Saturday Scream Queen: Melanie Denholme


Melanie Denholme is a young British actress who got her start professionally in the theatre in 2009, but by 2010 she had jumped career tracks to low-budget horror and sci-fi films. In two short years, she has appeared in half-a-dozen horror flicks, all directed by Philip Gardiner and several produced by Denholme herself.

According to interviews she has given, she likes roles where she gets to stretch herself, with vampire film "Lady of the Dark" being the film where she so far feels she has gotten to play the greatest range of emotions and become the furthest removed from herself.

Distributor Chemical Burn has provided me with several films starring Denholme, so expect to see her name and face here over few weeks.

Tuesday, February 28, 2012

'The Dark Watchers' is almost worth watching

It's been a while since I've had time to post an actual review here. Hopefully, this marks the reversal of that trend!

Men in Black: The Dark Watchers (aka "Dark Watchers: The Women in Black") (2012)
Starring: Melanie Denholme, Eirian Cohen, Val Monk, Lee Roberts, and Rudy Barrow
Director: Philip Gardiner
Rating: Three of Ten Stars

A group of UFO enthusiasts (Barrows, Cohen, Denholme, and Monk) become targets of the Men in Black and gradual transformation into something not human!


This film offers a model on how to make the modern exploitation film. It's a cheaply made movie that's being promoted with great-looking graphics and a fascinating preview that highlights the three attractive women that play the lead roles and which, together with the title, bring to mind the completely unrelated big-budget "Men in Black" movies starring Tommy Lee Jones and Will Smith. The timing is also ideal, as there's a third Jones/Smith "Men In Black" film due out this year. A simple, great-looking website (which you can check out by by clicking here)further helps to make this film look like something you want to rent or buy.

Like the vast majority of exploitation flicks, the actual movie can't live up to the great promotional graphics and the nifty preview. (Actually, this can be said about a host pictures, including more "respectable" ones, but it is especially true of films like this one.) I was about 15 minutes into the film when I realized that it would not live up to the promises of the marketing material, any more than Roger Corman's "She-Gods of Shark Reef" did.

While the film is every bit as stylish as I would expect from the preview and it features decent acting and some great story set-ups, it fails to deliver on any of the promises inherent in those story set-ups. The film ultimately feels like an incoherent collection of vignettes during wich the main characters (and a couple of random chicks running around in blood-soaked clothes) are tormented by the Men in Black and the strange aliens who are heralding some unspecified doom. And at no point in the film does anything become any clearer, nor does anything that we watch ultimately seem to have any point other than to eat up the film's running time.

Ultimately, "Men in Black: The Dark Watchers" feels like someone edited out the film's content and left the padding. The music video included as a bonus feature on the DVD is more coherent, and therefore more interesting, than the main feature.

And this is really too bad. It's clear this film was written and directed by a creator of some talent, and the marketing is really very slick. If just a little attention had been paid to story, I think I'd probably be praising this movie instead of panning it.