If you like straight-up horror movies, then you're going to like this one about a mother, demons, and a big knife. This 31 Nights of Halloween offering packs more horror into 5 minutes than many films manage in 75.
The Visitant (2014)
Starring: Amy Smart, Sibyl Gregory, and Doug Jones
Director: Nick Petersen
Rating: Nine of Ten Stars
"The Visitant" was incorporated into the 2016 anthology horror film "Patient Seven". It was a well-deserved second life for this excellent bit of film-making.
Showing posts with label Amy Smart. Show all posts
Showing posts with label Amy Smart. Show all posts
Saturday, October 20, 2018
Saturday Scream Queen: Amy Smart
This is Amy Smart's second appearance as a Saturday Scream Queen, but, as you'll see if you watch "The Visitant"--appearing here this evening as part of the 31 Nights of Halloween celebration--you'll see that it's well deserved. In fact, if you've seen any the horror films she's had a large role in, you know it's well deserved.
Born in 1976, she studied dance and acting as a child, and had her first professional acting gigs in 1996. She added horror films to her resume in 1997 with "Campfire Tales" and "Strangelands" and they've been a regular part of her busy schedule ever since.
Horror films in the past ten years that have been graced by Smart's presence are "Mirrors" and "Seventh Moon", both released in 2008; "Among Ravens", Flight 7500", "Run for You Life", and "The Visitant" (all debuting in 2014); "Hangman" (2015); and, most recently, "The Keeping Hours" (2017).
Born in 1976, she studied dance and acting as a child, and had her first professional acting gigs in 1996. She added horror films to her resume in 1997 with "Campfire Tales" and "Strangelands" and they've been a regular part of her busy schedule ever since.
Horror films in the past ten years that have been graced by Smart's presence are "Mirrors" and "Seventh Moon", both released in 2008; "Among Ravens", Flight 7500", "Run for You Life", and "The Visitant" (all debuting in 2014); "Hangman" (2015); and, most recently, "The Keeping Hours" (2017).
Saturday, November 26, 2011
Saturday Scream Queen: Amy Smart
Cute and blonde, California native Amy Smart has been busy playing everything from bit-parts to leading lady since her acting debut in 1996, appearing in over 50 films and television series. Best knwon for appearing in "Varsity Blues", "Outside Providence", and the two gonzo action films in the "Crank" series, her resume has been dotted with horror films since the earliest points of her career.
Smart appeared both im the anthology film "Campfire Tales" in 1997, and followed up the next year with the the internet stalker horror film "Strangeland". Ten years later, she made it a double-bill when she starred in two horror films that year--"Mirrors" and "Seventh Moon."
We won't have to wait ten years for Smart's next horror film, however. She is currently filming "7500", a movie about supernatural happenings during a flight across the Pacific. It's being directed by the "Grudge" series that is slated for release in late 2012.
Sunday, March 7, 2010
Sutherland sees mysterious evil in 'Mirrors'
Mirrors (2008)
Starring: Keifer Sutherland, Paula Patton, Cameron Boyce, Erica Gluck, Amy Smart, Josh Shrapnel and Jason Flemyng
Director: Alexandre Aja
Rating: Six of Ten Stars
A retired police officer (Sutherland) takes a job as the graveyard shift security guard in the burnt-out shell of a one-time upscape New York City department store, a structure that hides a number of dark secrets. He hasn't even finished his first shift before those secrets catch up with him by way of strange reflections in the mirrors at the building, his home, and everywhere he goes. He soon realizes that if he doesn't find the truth behind the events, everyone he loves will die.
"Mirrors" is another American (sort of... it was shot in mostly Romania and helmed by a French director) remake of a Korean spook-fest and this one is a little more successful than most. Although this is another tale of a curse/haunting that seems to spread like a bad case of herpes, the vector of transmission seems a little more reasonable than what we have in many other Asian horror films. For most of its running time it builds the tension nicely, as the haunting/curse gains strength and starts threatening and killing innocent people who the hero cares about to get him to do its bidding... and it's on track to being one of the better ghost movies of recent years.

But then it flies completely off the rails in the final act and transforms from a ghost movie into a third-rate monster movie that's more "Resident Evil" than "The Changeling" (or even "Puppet Master"). All the potential built up during the first 4/5th of the film is negated on an over-the-top ending and then tossed on the scrap-heap with a painfully predictable twist ending.
(When will these damn hacks learn that "surprise shock endings" aren't shocking anymore?! For God's sake, stop it! It's okay to end a movie when it's OVER! And if you feel the need to have a denoument, then how about giving us a real shocking surprise ending: End the movie with the monster vanquished and the hero uniting happily with his family!)
"Mirrors" is still a cut above most of what they pass off as horror films these days--it features a few truly surprising scares and a starteling gory death scene that will have even the most hardended gore-hound squirming in their seat, as well as strong performances by Keifer Sutherland as a man haunted both by his past and by his reflection in the mirror; by Paula Patton as his ex-wife; and by Cameron Boyce and Erica Gluck, a pair of more-talented-than-average child actors as their kids--but it has a terrible climax and ending that will almost ruin the whole thing for you.
(By the way, I think anyone who has ever worked night-shift security or who, after dark, has been the last one out of buildings or areas usually teeming with people will find this film scarier and easier to relate to than those who haven't been in situations like that. We know first first hand the creepiness of the open, shadow-filled spaces the film tries to convey, and we know how the imagination can run away if not kept carefully guarded.)
Starring: Keifer Sutherland, Paula Patton, Cameron Boyce, Erica Gluck, Amy Smart, Josh Shrapnel and Jason Flemyng
Director: Alexandre Aja
Rating: Six of Ten Stars
A retired police officer (Sutherland) takes a job as the graveyard shift security guard in the burnt-out shell of a one-time upscape New York City department store, a structure that hides a number of dark secrets. He hasn't even finished his first shift before those secrets catch up with him by way of strange reflections in the mirrors at the building, his home, and everywhere he goes. He soon realizes that if he doesn't find the truth behind the events, everyone he loves will die.
"Mirrors" is another American (sort of... it was shot in mostly Romania and helmed by a French director) remake of a Korean spook-fest and this one is a little more successful than most. Although this is another tale of a curse/haunting that seems to spread like a bad case of herpes, the vector of transmission seems a little more reasonable than what we have in many other Asian horror films. For most of its running time it builds the tension nicely, as the haunting/curse gains strength and starts threatening and killing innocent people who the hero cares about to get him to do its bidding... and it's on track to being one of the better ghost movies of recent years.

But then it flies completely off the rails in the final act and transforms from a ghost movie into a third-rate monster movie that's more "Resident Evil" than "The Changeling" (or even "Puppet Master"). All the potential built up during the first 4/5th of the film is negated on an over-the-top ending and then tossed on the scrap-heap with a painfully predictable twist ending.
(When will these damn hacks learn that "surprise shock endings" aren't shocking anymore?! For God's sake, stop it! It's okay to end a movie when it's OVER! And if you feel the need to have a denoument, then how about giving us a real shocking surprise ending: End the movie with the monster vanquished and the hero uniting happily with his family!)
"Mirrors" is still a cut above most of what they pass off as horror films these days--it features a few truly surprising scares and a starteling gory death scene that will have even the most hardended gore-hound squirming in their seat, as well as strong performances by Keifer Sutherland as a man haunted both by his past and by his reflection in the mirror; by Paula Patton as his ex-wife; and by Cameron Boyce and Erica Gluck, a pair of more-talented-than-average child actors as their kids--but it has a terrible climax and ending that will almost ruin the whole thing for you.
(By the way, I think anyone who has ever worked night-shift security or who, after dark, has been the last one out of buildings or areas usually teeming with people will find this film scarier and easier to relate to than those who haven't been in situations like that. We know first first hand the creepiness of the open, shadow-filled spaces the film tries to convey, and we know how the imagination can run away if not kept carefully guarded.)
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