Like a romance novel with a twist

Frozen in Fear (2000)
Starring: Catherine Oxenberg, Eric Roberts, Rod Steiger, Joan Benedict, Scott Plank, and Ellina McCormick
Director: Robin P. Murray
Rating: Four of Ten Stars

A Seattle art dealer (Oxenberg) travels to a remote mountain town to convince a talented but reclusive painter (Roberts) to sell his work through her gallery. She soon falls in love with the emotionally damaged man, but even as romance blooms, someone is creeping through the night and murdering women passing through the area. Is the killer the quirky sheriff (Plank), the much-feared town patriarch (Steiger), or the sensitive artist? And will our heroine become one of his victims?

"Frozen in Fear" is a made-for-TV movie that is as much a romantic chick-flick as it is a horror movie, complete with the fantasy of a woman healing a man's soul through the power of love. The cast of characters are basically off-the-shelf figures from gothic romances--and you'll quickly recognize each and every one of them as soon as they are introduced. And you'll eventually realize that none of these thinly written characters, whose actions are driven entirely by plot concerns whether there is any logic to them or not, will never rise above the status of stereotypical figures. The only thing that saves this film from being a total snooze fest is the horror aspect.

But even the presence of a mad killer can't save this film, because, even though there is a mildly clever twist surrounding his identity--at least if one views "Frozen in Fear" as a romance tale first and horror story second--he emerges as such a ludicrous figure that the horror is undermined almost from the outset. And as if the writers wanted to make sure the film remained on the level of trash they throw am ill-conceived "surprise twist ending" that tries to elevate our high mountain stalker to the level of a Jason Vorhees or Michael Myers. The lame ending alone drags this film down a Three Rating when it might otherwise could have been a Four or maybe even a low Five.

'End of Days' is not cataclysmic

End of Days (1999)
Starring: Arnold Schwarzenegger, Gabriel Byrne, Robin Tunny, Kevin Pollack, Rod Steiger, and Udo Keir
Director: Peter Hyams
Rating: Six of Ten Stars

Jericho Cane (Schwarzenegger), a world-weary detective, must fight against personal temptation, Satanists, a secret sect within the Catholic church,and Satan himself (Byrne) to protect a young woman named Christine (Tunny) and prevent the End of Days from occurring as the 20th century gives way to the 21st.


"End of Days" is a collage of cliched characters, stereotypes, and action scenes that resolve themselves pretty much as one would expect. It's to the supernatural thriller as "Predator" was to the monster movie, although not quite as expertly paced, nor as well acted. (While Gabriel Byrne makes for a great Satan, Schwarzenegger doesn't quite have the range that the part of Jericho Cane calls for--he can't pull off depressed OR religiously enraptured, and the role needs an actor who could have done both.)

The biggest weakness of "End of Days", which causes it to barely rate a Six, is that the director didn't know when it was time to start the climax of his movie. He seemed to feel obligated to cram in one more chase and explosion in the NYC subway even though dramatically the movie should have moved to its resolution once Jericho rescued Christine from the gathering of Satanists on New Year's Eve.

Although entertaining, and its creators deserve credit for attempting to make a different sort of action movie, "End of Days" is just too flawed to rise above average. You can easily save watching this movie until end-of-the-world mania comes back into style in 2011 and 2012.