Saturday, November 5, 2011

Saturday Scream Queen: Katee Sackhoff


Born in 1980, actress Katee Sackhoff was a rising television actress with a handful of roles to her name when she shot to sci-fi stardom as the cigar-chomping fighter pilot Starbuck in the remake of "Battlestar Galactica" on the Sci-Fi/Syfy Channel. She played Starbuck for four seasons.

However, her first major role in a television series was in the short-lived horror anthology series "The Fearing Mind". Along the way, Sackhoff has also appeared in a number of horror movies, including the misbegotten "Halloween: Resurrection" and "White Noise 2: The Light".

Sackhoff is currently filming a western series for television, as well as working on three movies in varying stages of production, two of which are horror films: "The Haunting in Georgia" (for which a sequel is already in the works, even before the first one is through post-production) and "Growl", with both tentatively slated for release in 2012.

Thursday, November 3, 2011

'Open Graves' is not worth your time

Open Graves (2009)
Starring: Mike Vogel, Eliza Dushku, Ethan Rains, Lindsay Caroline Robba, Naike Rivelli, and Gary Piquer
Director: Álvaro de Armiñán
Rating: Four of Ten Stars

A group of 20-somethings (Dushku, Rains, Rivelli, Robba, and Vogel) working and surfing in Spain fall victim to a powerful and deadly curse after they play a board game made from the bones of a witch.


If you've seen the classic movie "Jumanji", you know the basic premise of this film. You've also seen that premise used far more effectively. Heck, you've even seen more intense and frightening scenes than what you'll get in this horror movie.

"Open Graves" features a script so weak and predictable that I wonder why it was made as an R-rated film. Anyone who has seen even one other film featuring a cursed object will be able to guess where the film is going, up to and including the ending, so the only audience who would have enjoyed this picture would have been young kids. Everyone else will grow increasingly bored as this movie unfolds and brings nothing new. (There is a creepy little twist involving Eliza Dushku's character toward the end of the film, but it's so minor so as to be a reach for me to even mention it as a positive aspect of the film. I suppose the subplot involving a police detective with a dark agenda is also unpredictable... but only because it ends without any particular resolution. Not a Good Thing.)

Of course, it doesn't help the overall weakness of the material that the actors appear to have been cast mostly for their good looks than their talent. They add more attractiveness to this already beautiful-looking film, but they ultimately also help emphasize the emptiness and unoriginality of the script, because there is little or no life to their characters. The exception to that general statement are Dushku and Vogel, who bring enough charisma to their characters that we care a little about what will happen to them... but for all but the most entertainment-starved captive audience that's not enough to make it feel like watching this film was time well spent.




Tuesday, November 1, 2011

Nine Days of the Ninja:
Ninjas & Zombies: Tastes that go great together?

Ninjas vs. Zombies (2010)
Starring: Daniel Ross, Cory Okouchi, Carla Okouchi, P.J. Megaw, Dan Guy, Daniel Mascarello, Melissa McConnell, Tara Moore, and Will Stendeback
Director: Justin Timpane
Rating: Four of Ten Stars

Three friends are granted the magical powers and combat prowess of The Ninja when a necromantic ritual unleashes a soul-sucking, zombie-creating demon on a small American town.


As low-budget action spoofs go, "Ninjas vs, Zombies" is fairly well accomplished on the technical front. The special effects are well-deployed, both the practical gore effects and the digitally generated "magical energies" and muzzle-flashes and explosions. Director Timpane seems to have a good sense of how to film action and martial arts scenes, and the editing generally helps cover up budgetary shortfalls rather than emphasize them. The main technical disappointment about the film is that the foley artists could have been on the job more, as there are several fight and effect scenes that are less effective than they might otherwise have been.

The acting is better than I've come to expect from films at this level of production, with lead heroes Daniel Ross and Dan Guy being particularly skilled and fun to watch. P.J. McGaw also gives a good accounting of himself as the root of all evil in the film, and the rest of the cast and supporting players are also quite good.

Unfortunately, everyone is let down by an inadequite script. Written by the director, it feels like a first draft, with flabby and repetative scenes and dialogue, particularly early on, and, worse, irrelevant scenes and pop cultural references that distract from the film's central high concept of Ninjas kicking Zombie ass without adding anything worthwhile to the mix. I suppose with Jason Friedberg and Aaron Seltzer somehow still having careers and still making shitty comedies that consist of little more than stringing together random references to popular movies and pop culture, it was only a matter of time before a new generation of filmmakers started to copy them. (It also doesn't help that some of the character interaction feels like it was lifted from a Kevin Smith movie. Stealing is a time-honored tradition among script-writers, but one really should take one's screenplay through an extra draft or two to hide the sources a bit better. Even if it means bringing in a co-writer.

I think there is all sorts of potential for a great horror and/or action comedy when it comes to pitting Ninjas against zombies. I also think that potential is on display in this film, but it remains mostly unrealized. It's better than most of the Godfrey Ho patch-work Ninja films, but it's still not a film to go out of your way for, whether you're looking for a comdy, a zombie film, or a ninja picture. It might make a good second feature for a bad movie night, if your group has patience for films with slow wind-ups and irrelevant detours.

Monday, October 31, 2011

The Halloween remake is a horror

Halloween (2007)
Starring: Scout Taylor-Compton, Malcom McDowell, Tyler Mane, Daeg Faerch, and Brad Dourif
Director: Rob Zombie
Rating: Three of Ten Stars

Michael Myers comes home for a "re-imagining" of his classic beginnings. Fans of the original film are going to wish he stayed away.


This sorry prequel/remake goes wrong almost immediately. It spends a great deal of time "humanizing" Michael Myers, showing us his awful childhood with an awfully cliched bad family with members who spout awfully bad dialogue. (In fact, there's barely a decent line of dialogue in the film, except perhaps those uttered by good old Dr. Loomis (played here by Malcolm McDowell, in the only performance that measures up to the original cast).

Why the filmmakers thought that Michael Myers needed to be given a reason to kill other than "he's an evil homicidal maniac" I'll never know. The first quarter of the movie is dedicated to undermining the otherworldly monstrousness that Michael Myers embodied in the original "Halloween" flicks, presenting him as a character that we should feel sympathy for. What's more, once the killing starts, we the viewers are put in the awkward position of feeling obligated to root for the bad guy because he's lashing out at those who made his life hell.

The filmmakers even decided they had to give a lame tie-in to Michael Myers childhood for his signature mask instead of the accidental origin that was presented in the original.

If you do rent this film, don't make the mistake I did: It does NOT get better once the "he was just a poor widdle boy who lost his way" crap is behind us. There are a few "boo" scares, the splatter is well done, and the cinematography is impressive, but the awful dialogue gets even worse and several of the murders are so drawn out that they become boring. In balance, the last hour-and-a-half or so of the movie is even WORSE than the beginning.

I should have trusted my instincts. I KNEW this was going to be another crappy remake of a great John Carpenter film, and I was absolutely right.

I never imagined in my worst nightmares that it would make me wish I was watching "House of 1,000 Corpses", however.

I should have saved my time and money, and I strongly encourage you to not make the same mistake I did. The ONLY good thing about it is Malcolm McDowell... and he is simply not enough to make this a worthwhile movie.

Countdown to Halloween with Vampirella

There's No Time Left...


By Michael Kaluta

Saturday, October 29, 2011

Saturday Scream Queen: Eliza Dushku


Born in 1980, Eliza Dushku made her film debut at age 12, and she has been busy ever since. As the world was panicking over Y2K, Dushku successfully made the transition from child actress to simply actress with leading and supporting roles in a variety of television series and films, with an emphasis on dark thrillers and horror.

Aside from playing then popular bad-girl vampire hunter Faith on "Buffy the Vampire Slayer" and "Angel," and starring roles in the short-lived series series "Tru Calling" and "Doll House," Dushku has been featured in hakf a dozannumehorror films, such as "Soul Survivor", "Wrong Turn", "Locked In", and "Open Graves". Dushku has also leant her distinctive voice to numerous computer games and animated features, most recently voicing Catwoman in the "Batman: Year One" animated feature.

Dushku has several projects in various stages of development, with the most prominent of these being slated part in "Ghostbusters III".

Tuesday, October 25, 2011

'Goregoyles 2' has something for all horror fans

Goregoyles 2 (2007)
Starring: Marco Calliari, Sebastien Croteau, Martin Dubriell, Eric Therrien, and Chantrel Petrin ("Clean" segment); John Muggleton, Tara MacKenzie, Ryan Greenacre, Brett Kelly, and Mark Singleton ("The Walkers" segment); Eric Therrien, Isabelle Stephen, and Sylvain Dinelle (Host segments)
Directors: Alexandre Michaud and Nigel Finlayson
Rating: Seven of Ten Stars

"Goregoyles 2" is Canadian director/producer Alexandre Michaud's follow-up to "Goregoyles: First Cut", and, like its predecessor, it's an anthology film.

While there's nothing that quite reaches the high-points of the best parts of the original "Goregoyles", there's also nothing here that's as mind-crushingly awful as the original's low-points. The quality level is consistent across all the parts that make up this package.

Another noteworthy thing here is that the directors responsible for the content here obviously have a sense of how to make a low-budget film. In the case of Michaud, he knows that when making a splatter-fest (which is the best way to describe his contribution here), the budget needs to be spent on making the blood and guts look good.. but he also knows that he doesn't have the money (or maybe even access to the technical know-how) to make truly complicated gore effects look good, so he knows to not let the camera dwell upon them. Even better, neither film overreaches the limitations of the modest budgets they were made within. That alone makes the efforts praiseworthy, and it shows that Michaud and Miles Finlayson understand how to work with limited budgets. That puts them in a class that 90 percent of horror filmmakers out should aspire to being in... and that 90 percent would be well-served to use the work here as a model for their own.

"Goregoyles 2" consists of two short features and introductory host segments. The DVD I screened also contained an interview with directors Michaud and Finlayson. I'll address each part in turn, assign a rating to each, which in the end averages out to the Seven-star rating I've given the entire package.

First, the host segments. Like in Michaud's first anthology film, each part of "Goregoyles" is introduced by a Crypt Keeper-like host. Here it's Uncle Vicious (Therrien), and he offers general comments on each upcoming film while showing off his sadistic sexual tendencies. These are servicable, if tacky, bits of film, although I liked the wittier, more informative introductions from the original "Goregoyles". The best part here was the "Farewell from Uncle Vicious" segment where Therrien (joined by Michaud and the boom-mike operator) demolish the set while Isabelle Stephen go-go dances topless in the background to blaring hard rock. I only wish the other segments had been so amusing. Still, they were okay, so the host segments get a rating of Six Stars.

The first film in the package is "Clean". It's a strange, gory picture that stars Marco Calliari as Crane, a brutal murderer who has hooked up with other sexual psychopaths through an Internet chat room, and has been invited to their once-a-year, face-to-face gathering. Like the rest of them, he's there for the beer and brutal slayings... but he has a different sort of victims in mind than his fellow "hobbyists." The hunters become the hunted as Crane sets out to wipe the slate clean.


Although "Clean" is the sort of movie I usually give low marks to (if I bother reviewing it at all)--it's full of horrible violence and gore, hateful characters, and utterly humorless--I actually like this one. Unlike the ever-growing wave of movies that feature violence and brutality for no reason other than to feature violence and brutality (all the various "Saw" imitators), "Clean" doesn't attempt to make the violence look sexy, nor does it attempt to entertain the viewer with it. Here, the violence is presented as horrible and ugly, and anyone but people like the characters who have gathered to watch a female captive (Petrin) to be tortured to death will almost certainly have to avert their eyes as it unfolds on screen. (I certainly couldn't watch as Joe--played with perfect hideouslness by Sebastien Croteau--sliced the poor girl with a razorblade and then poured salt and Tabasco sauce into her open wounds.)

The people who commit the heinous acts aren't at all glamorous or witty... they are utterly repulsive, reprehensible and boorish, including our "hero", Crane. I thought "Clean" is an excellent response to the wave of "torture porn" films that will, hopefully, soon crest, crash on the shore, and retreat; it's well past the time for another fad to take hold in the horror genre. Well-paced and well-acted, I give this film a Six Star rating.

The second film presented is "The Walkers". It tells the story of Mr. and Mrs. Walker (Greenacre and MacKenzie), a sociopathic married couple and would-be "Bonnie and Clyde" who get lost in a trackless Canadian forest along with two police officers (Muggleton and Kelly) who are pursuing them. The four of them spend a week in the wilderness, struggling to survive, until stress and fear drives all of them mad.

"The Walkers" is the best part of "Goregoyles 2". It's a smart horror movie that's imbued with a sense of oppression, dispair and growing anxiety throughout, and which is driven by a well-written script and some good acting on the part of the featured players. John Muggleton is particularly good as the jaded cop who finds himself stripped of a very important last hope while attempting to find his way out of the forest.

The violence in this film is sparse, so gorehounds who grooved on the level of splatter and guts that was featured in "Clean" may be dissapointed in "The Walkers". However, what violence that we do get is shocking and impactful, so those who like their horror movies with more substance than gore will appreciate this second feature far more than the first. In fact, "Goregoyles 2" covers both ends of the horror movie spectrum under one banner, ranging from a nearly pure blood-and-guts splatter-fest to an almost violence-free psychological horror film. "The Walkers" gets Seven Stars, and I hope to come across other work by Miles Finlayson in the future.

Finally, the DVD contains a discussion between directors Miles Finlayson and Alexandre Michaud as they kill a few beers. Like the interviews on the original "Goregoyles" DVD, this is an interesting bit of film that gives the viewer insight into the process of not only making the film at hand, but also revisits "Goregoyle: First Cut" and Michaud's notorious underground film "Urban Flesh". It's something that aspiring filmmakers in particular would do well to watch. This "DVD Extra" gets a Six Star rating as well.

With the range that is covered genre-wise in "Goregoyles 2", I think any horror fan will find something to like here. And I particuarly recommend this anthology film for those horror fans out there who think they can make their own movie. Goregoyles 2 Directors: Alexandre Michaud and Miles Finlayson.

Saturday, October 22, 2011

Countdown to Halloween with Vampirella

There are Nine Days Left....

By Enrique Torres

Saturday Scream Queen: Brooke Adams

Born and raised in New York City, Brooke Adams started acting professionally in theatre productions while still a child and graduated from New York's High School for the Performing Arts and the School of the American Ballet. As an adult, she broke into film, and has appeared in film and TV programs of just about every genre, although horror and thrillers, mostly low-budget, have been the mainstay of her career.

Among her notable horror films are starring turns in "Song of the Succubs", "Shock Waves" and the first remake of "Invasion of the Body Snatchers" during the 1970s; "The Dead Zone" and "Haunted" during the 1980s; and "The Unbord", "Sometimes They Come Back" and "Probably Cause" during the 1990s.

Noteworthy small horror parts include a role in of the best of the Black Dahlia movies "Who Was the Black Dahlia" and a tiny but fun appearance in "The Stuff".

Adams married actor Tony Shaloub in 1992, and after the birth of the second child in 1993, she increasingly shifted her attention to the stage, although she has continued to appear in small film and television roles. She appeared as three different characters during the seven year run of the television series "Monk", which starred her husband, and she will next be seen in 2012 in the big-screen docu-drama "Hemingway & Gellhorn", which will star Clive Owen and Nicole Kidman as the title characters.